The History of Art

Ecce Homo, Caravaggio, 1605: This is an example of a Baroque painting.

Art is a highly diverse range of human activities engaged in creating visual, auditory, or performed artifacts— artworks—that express the author’s imaginative or technical skill, and are intended to be appreciated for their beauty or emotional power.

Art may be characterized in terms of mimesis (its representation of reality), expression, communication of emotion, or other qualities. Though the definition of what constitutes art is disputed and has changed over time, general descriptions center on the idea of imaginative or technical skill stemming from human agency and creation. When it comes to visually identifying a work of art, there is no single set of values or aesthetic traits. A Baroque painting will not necessarily share much with a contemporary performance piece, but they are both considered art.

Despite the seemingly indefinable nature of art, there have always existed certain formal guidelines for its aesthetic judgment and analysis. Formalism is a concept in art theory in which an artwork’s artistic value is determined solely by its form, or how it is made. Formalism evaluates works on a purely visual level, considering medium and compositional elements as opposed to any reference to realism , context, or content.

Art is often examined through the interaction of the principles and elements of art. 

Helen Frankenthaler, 1956: A photograph of the American artist Helen Frankenthaler in her studio in 1956.

Art, in its broadest sense, is a form of communication. It means whatever the artist intends it to mean, and this meaning is shaped by the materials, techniques, and forms it makes use of, as well as the ideas and feelings it creates in its viewers . Art is an act of expressing feelings, thoughts, and observations.Beauty in terms of art refers to an interaction between line, color, texture, sound, shape, motion, and size that is pleasing to the senses.

Michelangelo, The Creation of Adam, The Sistine Chapel, 1508-1512:

Numerous philosophers have attempted to tackle the concept of beauty and art. For Immanuel Kant, the aesthetic experience of beauty is a judgment of a subjective, but common, human truth. He argued that all people should agree that a rose is beautiful if it indeed is. There are many common conceptions of beauty; for example, Michelangelo’s paintings in the Sistine Chapel are widely recognized as beautiful works of art.

Who Is an Artist?

An artist is a person who is involved in the wide range of activities that are related to creating art.

An artist is a person who is involved in the wide range of activities that are related to creating art. The word has transformed over time and context, but the modern understanding of the term denotes that, ultimately, an artist is anyone who calls him/herself an artist.

In ancient Greece and Rome, there was no word for “artist.” The Greek word “techne” is the closest that exists to “art” and means “mastery of any art or craft.” From the Latin “tecnicus” derives the English words “technique,” “technology,” and “technical.” From these words we can denote the ancient standard of equating art with manual labor or craft.

Each of the nine muses of ancient Greece oversaw a different field of human creation. The creation of poetry and music was considered to be divinely inspired and was therefore held in high esteem. However, there was no muse identified with the painting and sculpture; ancient Greek culture held these art forms in low social regard, considering work of this sort to be more along the lines of manual labor.

During the Middle Ages, the word “artista” referred to something resembling “craftsman,” or student of the arts. The first division into “major” and “minor” arts dates back to the 1400s with the work of Leon Battista Alberti, which focused on the importance of the intellectual skills of the artist rather than the manual skills of a craftsman.

Color ” value ” refers to the relative lightness or darkness of a color. In addition, “tint” and “shade” are important aspects of color theory and result from lighter and darker variations in value, respectively. “Tone” refers to the gradation or subtle changes of a color on a lighter or darker scale. “Saturation” refers to the intensity of a color.

Additive and Subtractive Color

Additive color is color created by mixing red, green, and blue lights. Television screens, for example, use additive color as they are made up of the primary colors of red, blue and green (RGB). Subtractive color,  or “process color,” works as the reverse of additive color and the primary colors become cyan, magenta, yellow, and black (CMYK). Common applications of subtractive color can be found in printing and photography.

Complementary Color

Complementary colors can be found directly opposite each other on the color wheel (purple and yellow, green and red, orange and blue). When placed next to each other, these pairs create the strongest contrast for those particular two colors.

Warm and Cool Color

The distinction between warm and cool colors has been important since at least the late 18th century. The contrast, as traced by etymologies in the Oxford English Dictionary, seems related to the observed contrast in landscape light, between the “warm” colors associated with daylight or sunset and the “cool” colors associated with a gray or overcast day. Warm colors are the hues from red through yellow, browns and tans included. Cool colors, on the other hand, are the hues from blue green through blue violet, with most grays included.

Texture

Texture in art stimulates the senses of sight and touch and refers to the tactile quality of the surface of the art. It is based on the perceived texture of the canvas or surface, which includes the application of the paint. In the context of artwork, there are two types of texture: visual and actual.

Paintings often use actual texture as well, which we can observe in the physical application of paint. Visible brushstrokes and different amounts of paint will create a texture that adds to the expressiveness of a painting and draw attention to specific areas within it. The artist Vincent van Gogh is known to have used a great deal of actual texture in his paintings, noticeable in the thick application of paint in such paintings as Starry Night.

Jan van Eyck, The Virgin of Chancellor Rolin, 1435: The Virgin of Chancellor Rolin has a great deal of texture in the clothing and robes, but the actual surface of the work is very smooth.